In the tumultuous crossroads where art meets Artificial Intelligence, a fertile territory of experimentation but also fraught with epochal questions, projects emerge with visionary force that are not content to use technology as a mere tool, but elect it as a privileged interlocutor, a co-author of new aesthetics. “SymbioGenesis,” the long-awaited collaboration between Dario Buratti – acute investigator of the “Generative Void” – and Carlo Alfano – pioneer of a lyricism of code with his “Code is Poetry” – announces itself as one such watershed. More than an exhibition, it looms as a programmatic manifesto, the genesis of a “third artistic entity” destined to profoundly affect contemporary debate and chart new routes for the digital imagination.