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Concept Projects
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That's a Revolution

and we are no longer the only players in the momentous changes we are witnessing, but rather a part in a continuous flow of relationships. 

At the heart of these emerging new ecosystems, we no longer find just humans, but a complex network of interactions between humans, artificial intelligences, and machines.

This transition is pushing us to reconsider our way of interacting with the world and, more fundamentally, how we perceive ourselves. We are no longer the only entities capable of acting freely, but we become elements of a COLLABORATIVE SYSTEM. Through interaction with these intelligent ecosystems, we can make significant contributions, especially in creative and artistic fields.

In this scenario, artificial intelligence and Extended Reailty are not just a tool, but a partner in the creative process, opening up new avenues for artistic expression and innovative thinking. Machines are not just executors of tasks, but active participants that can inspire and be inspired, in a continuous dialogue between humanity and technology.

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This image is part of the "S Y M B I O G E N E S I S   C O L L E C T I O N" around the symbiosis of human artificial intelligence 

EXHIBIT: 𝐆𝐄𝐍𝐄𝐑𝐀𝐓𝐈𝐕𝐄 𝐕𝐎𝐈𝐃 𝟐𝟎𝟐𝟓" Vuoto Generativo 2025 - 真空世代 2025

Algorithms for an Immersion into the Invisible.

In this project, I explore the essence of the Generative Void, a core concept in my artistic and theoretical framework.

This concept captures the fertile yet elusive state preceding creative action, a space characterized by latent potentials, where ideas exist as intangible possibilities, awaiting realization. Through immersive images and videos, I visually interpret this intangible realm using specifically designed algorithms.

These algorithms have been developed to model and capture the subtle interactions occurring within the void—translating abstract states of potentiality, suspended possibilities, and invisible tensions into tangible, visual forms. Each artwork functions as a portal, revealing the precise moment when latent creativity transitions from a state of quiet potential into active manifestation.

The resulting immersive experience invites viewers to intimately engage with this subtle, often overlooked dimension of creativity. By visually and emotionally connecting with the generative silence, the audience discovers how creative energy emerges from apparent emptiness, unveiling an infinite landscape of potential within the Generative Void.

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    F O U R   P A N E L S   94×94 cm – 3 cm canvas on rigid backing

“It is in the confrontation with uncertainty that the true engine of generative art is rediscovered, a kind of design thinking that celebrates the unfinished and transforms the unexpected into an inexhaustible source of new meaning.”

    TWO   P A N E L S   60×120 cm – 3 cm canvas on rigid backing

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  E X T E N D E D   R E E L S – Algorithmic Projections 9:16

A projector system projects these videos onto panels ranging in height from 2.0 Meters to 2.50 Meters making the enjoyment of the exhibition dynamic and immersive. (The three depicted below are demos, the original versions last at least 15 minutes and are looped)

R E S I D U A L   C O D E   P O E T R Y – Algorithmic Poetry from the Generative Void

Residual Code Poetry is a hybrid form of writing in which code and poetry coexist within the same syntactic space. Developed as part of Dario Buratti’s Generative Framework, this practice explores the boundary between computational logic and poetic language where code is  expressive, conceptual, and aesthetic.

In each panel of the GenerativeVoid series, poetic fragments are embedded within the generative algorithms, surfacing as semantic residues, submerged verses hidden among the instructions. These texts do not describe the visual output; rather, they traverse itrevealing a latent consciousness within the act of creation.

Residual Code Poetry acts as a lyrical memory of the code, a liminal voice whispering through layers of computation. It weaves together formal tension and abstraction, mathematical precision and poetic vision.

Each fragment is unique and unrepeatable, inseparable from the visual structure of the work:
not a caption, but a verbal threshold through which code becomes emotionally perceptible language.

E X A M P L E - GenerativeVoid_01# (ita)

S O U N D   D E S I G N

Generative Soundscapes for the Active Void

The sound design of GenerativeVoid is conceived as a sensory extension of the algorithmic space. It does not merely accompany the visuals—it intersects, layers, and reshapes them.

Each sonic environment is built through generative logic, following a principle of modular expression. These compositions are non-linear: they emerge from the interplay between sound patterns and abstract structures, maintaining a constant tension between order and interference.

The result is a post-organic acoustic landscape, composed of:

  • ambient textures,

  • digital glitches,

  • synthetic resonances,

  • rarefied pulses.

These elements combine to form a living auditory matrix, capable of responding to rhythmic and spatial variations.

Sound acts as a liminal layer, linking visual structures to the perceptual body of the listener—generating a state of expanded attention. The void is not silent; it is actively resonant, inhabited by sonic presences oscillating between absence, echo, and generation.

Each sonic phase—intro, climax, and dissolution—reflects the inner tensions of the Generative Framework, articulating a sonic syntax that mirrors the poetics of void and code.

SENSORY ALGORITHM - Music Experience

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MechaMorph 2024 - XR Exhibit

MechaMorph” “the un-biased hybrids” [GenAi video] is a metaphor about human transformation in the era of exponential technological convergence and celebrates the potential of human-machine integration, an enhanced dance that represents symbiotic intent. The physical and mental synchrony between dancer and generative cybernetic grafts suggests a collaborative vision, far from the danger of dehumanization, a moment of great unification and progress, in which humanity finds new paths for its own evolution. These videos were made with different ai generative systems and used in the exhibition during the presentation event of Ray Kurzweil’s new book “The Singularity is Nearer” (italian Version) in September 2024  in Milan at the headquarters of il Sole 24 ore School curated by Singularity U by David Orban.

P A N E L S 

Characters and mood

MECHAMORPH – UT (Urban Tribes)

What is EMBODIMENT? 2023 XR Event

Interesting research on emotional intelligence applied to the topic of the avatar as an inhabitant of the metaverse and its functions as a consumer.

A study carried out by “AINEM” and the neuromarketing research center of IULM Universtity in Milan. On the occasion with the popular event held at my virtual auditorium “The Extended Hall,” I wanted to create a series of creative panels made as forms of generative art whose prompts are derived directly from the above-mentioned research. These panels composed of video-morphing and images will serve as the setting for the event.

Project 04: Generative Bio-Architecture

This is creative research, dealing with the integration of natural elements within highly sustainable archiectonic structures.
This field combines the techniques and principles of generative art, typically associated with the creation of works through algorithms and AI systems, with the ambitious goal of shaping utopian and futuristic urban environments and spaces.

Imagining anti-gravity buildings draws a line between science fiction speculation and futuristic projection: an idea that prompts reflection on the infinite possibilities of sustainable design and the potential of emerging technologies in suggesting creative forms of environmental integration.
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This approach is distinguished by its ability to generate forms and structures that appear organic and natural, and at the same time impossible to achieve; in a clear attempt to suggest that the purpose of creative experimentation creative lies in the constant search for overcoming limits and seeking the impossible, projecting the field of research into new areas of artistic, environmental and social innovation.
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